Track's best is embodied in a scene when Doc Ock's presentation goes awry. Action scenes notablyĬommand the stage with a blend of high output elements: blaring alarms, big music, potent low-end depth, explosions, seamless movement. The track is perfectly fluid in movementĪcross every axis - up and down, side to side, front to back - and every element is presented in glorious sonic harmony. It's large, aggressive,Īnd seamlessly spaced, taking full advantage of the additional rear channels as well as the overhead layer. Spider-Man 2's Dolby Atmos soundtrack, much like that of its predecessor, delivers a superior, reference-quality listen. Sony has done a marvelous job on this one it's a gem in the growing No immediate print or encode flaws are apparent. Nighttime and low-light interior black levels are wonderful. It offers improved color stability in presentation, with firmer, bolderĬolors that are never wanting for more punch while adding an impressive level of nuance, whether primary Spider-Man outfit colors or smallīackground supports or even, simply, red lipstick and other small splashes of intense color. The HDR-enhanced color palette is equally impressive. Masterpiece of visual excellence that accentuates its every quality with clarity to spare and definition and depth that will be the envy of almost any Spider-Man outfit, the UHD delivers a finely-honed Whetherįine skin textures, beads of sweat on Parker's face after entering a fire, beat-up alleyways, run-down apartment complex interiors, clothes, or the Textural nuance and wide-ranging elemental and environmental qualities abound. Grain is ever-present but, compared to the first film on UHD, a bit more stable and complimentary, less "intrusive," for lack Presentation is amongst the finest available on the format. Spider-Man 2 is another shot-on-film "true 4K" release that blows many of it more contemporarily (and often digitally) crafted peers out of the
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